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Podcasting: the legal issues

This guide is based on UK law. It was created in February 2007.

Podcasting is the creation of audio content for download to a mobile device or computer for an audience to listen to where and when they want to. However, many people who create podcasts do not realise that they require the consent of the owner of the copyright in any third party material which they include in their podcast. Even small samples of recorded music cannot be used without licences.

There are some sources of royalty-free music for podcasting, such as UniqueTracks.com, that may not require the licences described below; but if you're looking for well-known music, you are unlikely to find it in these sources.

The Mechanical-Copyright Protection Society and the Performing Right Society offer a licensing scheme which allows podcasters to use the global repertoire of musical works represented by the Mechanical-Copyright Protection Society and the Performing Right Society (by granting the necessary writer/publisher permissions for inclusion of their works in the podcast).

There are two licences available under the scheme: the Joint Podcasting Licence (JPL), aimed at medium to large podcasters; and the Limited Podcasting Exploitation Licence (LPEL), designed for smaller scale, non-commercial podcasters.

The appropriate licence depends on the amount of revenue you expect to make from your podcasts (such as from making a charge to listeners or through advertising, sponsorship etc.), and also the number of works that are expected to be downloaded in a year (for instance, 100 downloads of a podcast containing 5 works would constitute 500 downloads).

If you expect to make more than £3,333 + VAT or expect more than 27,000 downloaded works in total in a year, you should consider the Joint Podcasting Licence. Under the licence you will need to pay a royalty which would be the greater of the following:

  • 12% of the gross revenue generated by the Licensed Services; or
  • £0.015 per musical work per download; where only part of a musical work is used and it is less than 50% of the duration of the original then the rate will be £0.0075 for that work.

There is also a Quarterly Advance (minimum £100) which is fully recoupable against generated royalties. Un-recouped balances may be carried forward to later quarters however they can only be used to offset royalties and not further quarterly advances.

If you expect to make less than £3,333 + VAT in revenue from the service per annum and expect fewer than 27,000 downloaded works, you should consider the Limited Podcasting Exploitation Licence. Under this licence you will pay £200 + VAT per annum for up to 13,500 downloaded works; or £400 + VAT for up to 27,000 downloaded works. Fees will be pro-rated for services operating for part of the year, subject to a minimum licence fee of £50.

There are conditions attached to both licences about the use of music within the podcast.

For the recording rights, there is no equivalent licence. PPL (Phonographic Performance Limited), which licenses recorded music for other uses (including public performance, radio and TV broadcasting and internet radio), does not license music for podcasting. It will only refer you to the record company and for now has no plans to change this.

So for each piece of music you wish to use in a podcast you will need to identify the record company and negotiate a right to use the piece. This makes the use of popular music in podcasting unrealistic for many organisations.

See also: Legal info about user-generated content

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